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John William Waterhouse
Hylas and the Nymphs
1896
Manchester City Art Galleries
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John William Waterhouse
Marianne Leaving the Judgment Seat of Herod
1887
Forbes Magazine Collection, New York, USA
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John William Waterhouse
Ophelia
1894
Private collection
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John William Waterhouse
Penelope and the Suitors
1912
Aberdeen Art Gallery and Museum
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John William Waterhouse
St.Cecilia
1895
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John William Waterhouse
St.Eulalia
1885
Tate Gallery, London
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John William Waterhouse
The Awakening of Adonis
1900
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John William Waterhouse
The Orange Gatherers
1890
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John William Waterhouse
The Remorse of Nero after the Murder of his Mother
1878
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John William Waterhouse
Thisbe
1909
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John William Waterhouse
1909
1891
National Gallery of Victoria, Melbourne
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John William Waterhouse
Two Little Italian Girls By a Village
1875
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John William Waterhouse
Portrait of Miss Margaret Henderson
1900
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John William Waterhouse
Ophelia (mk19)
undated
Oil on canvas,102 x 64 cm
The Pre-Raphaelite Trust,London
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John William Waterhouse
Resting
mk58
c.1886
watercolour and bodycolour on paper
35.5x18cm
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John William Waterhouse
After the Dance
mk58
1876
oil on canvas
76.2x127cm
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John William Waterhouse
The Lady of Shalott (nn03)
1888
Oil on canvas 153 x 200 cm
60 1/2 x 78 3/4 in Tate Gallery London
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John William Waterhouse
St Cecilia (m41)
1895
Courtest Sotheby's
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John William Waterhouse
A Flower Stall (mk41)
1880
22x31in
Newcastle-upon-Tyne,Laing Art Gallery
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John William Waterhouse
An Eastern Reminiscence (mk41)
1874
Courtesy Peter Nahum
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| John William Waterhouse
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English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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